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  • In the last thirty years, no artistic form has made cultural capital so central to its identity, and no musical genre has better understood how cultural capital works. Disdaining the reserves of actual capital that were available to them through the major labels, indie musicians sought a competitive advantage in acquiring cultural capital instead.

    5.4: Pitchfork, 1995-Present by Richard Beck

    Tagged: Interesting Reads

    Posted on January 24, 2012 with 4 notes

    1. polkadotscottonsocks reblogged this from aidanknight
    2. isaacbrentmason reblogged this from aidanknight
    3. cathisms reblogged this from aidanknight
    4. aidanknight posted this
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